It appears some instructors (at least) thought about the lecturer ahead of time, while others just do it on the spot.
Victor Fung - Why We Dance
We need to dance with our heart (soul), mind and body. Our body is just a tool, it expresses the mind. Use your mind, give it warmth, give it feelings.
Victor and Anastasia demonstrated with some basic Foxtrot figures, danced multiple times with different feelings, all technically correct, but the feeling of the dance is quite different.
Anastasia Muravyeva - Music: Your Second PartnerLearn to be in harmony with music. Listen: rhythm, melody (mental emotions), and color of music (character). Different people can choose to hear different things.
Waltz: listen to the melody, phrasing. It has "Question" (stronger) 1 2 3, then "Answer" (soft) 1 2 3.
Quickstep: Strong on 1, 3. Soft on 2, 4.
Tango: 2 beats, there is still strong/soft.
Arunas Bizokas - Secrets of the Champion Some say in dancing, you don't have to care how it feels, as long as it looks good. Arunas thinks, eventually, it is important that the dance both feels good and looks good. Dancers have to be good at a lot of things (technical stuff, sensitive to partner, musicality, stamina), etc.
How we move, how to create distance: reaching with moving leg is wrong. Distance comes from releasing weight from standing leg. distance = speed * time. Practice forward and backward walks. A lot.
Katusha Demidova - Secrets of the ChampionNumber 1 question Katusha got asked when she teaches her students is how to create the shape. You create shape pretty using everything except for head. Use your feet, hips, shoulders. Movement comes from hip, hip should not get out of line, make sure tail bone is down. Head goes as much as spine allows.
The purpose of Man's shaping is to lead the lady.
Lady can use a bit of head weight in some dynamic figures.
Latin American Dance with a partner. All part of this is important. You want technique + artistic + partner all go in the same direction.
Body weight is used to lead. Practice with partner, doing weight change. Close your eyes.
Cuban rock: upper body action, hip reaction. Don't just do hips on its own.
Efficiency: An efficient way is the beautiful way. Think of what you need to pick up heavy suitcase, vs. picking up a tooth brush. You don't have to try too hard.
Focus learning the right thing, stop analyzing what's wrong with what you are doing. You will practice differently at different stage. You go from one position to another position. The quality is defined in between the beats - how you get from first position to next.
You can't learn how to dance from other instructors' videos. You can learn from your own videos!
Michael Chapman - How to Create a Masterpiece, Part 1
Michael talked about choreography - that shows creativity, fundamentals and dynamics. Arunas and Katusha are Michael's assistants. In the session, Michael went through first part of Foxtrot choreography with Arunas and Katusha. He explained how choreography fits with the music; where he would put lifts, etc.
Much of this part is open work. Arunas and Katusha appeared much relieved when finally they are put in Standard hold at end of this part 1.
Johan Eftedal - Dynamics 1
Lead: tells the lady to go, stop and change direction.
Lead into basic: down and forward. Forward checked walk.
Cucaracha: partial weight, don't put full weight. Can be danced slow, evenly to music; or really twist (when feet are together, like twisting wet towel) and then do very fast foot to the side.
Welcome Party - a Q&A forum with these champions
Q: What's your favorite dance?
A: Heather Smith likes them all, but Slow Foxtrot would be her favorite.
Anastasia also likes them all, Tango is her favorite.
Q: For judges, you have a few seconds to judge, what are you looking for?
A: Donnie Burn looks for how the dancers express music in beautiful and efficient ways. Approach with simplicity.
Q: How do you practice and balance what to work on?
A: Normal practice generally starts with warm up, work on what's taught in a lesson, run through your routine. The length on each part depends. Before a competition, you may want to increase the time to run through routines.
Q: For Anastasia and Victor, what do you appreciate each other?
A: Anastasia appreciates that Victor listens "The first partner who actually listens." Victor says Anastasia is very patient.
Q: For judges: what mistakes do dancers make? What annoys you most?
A: Walk to the floor with your number facing judges, please. You want to capture (good) attention.
Ladies: what annoys Heather Smith the most is when lady dancers got on the floor with most beautiful costume, then she would pull her costume down (pulling built-in panties).
ut those "elephant ears" (ladies shoe strap sticks out too much)
Wear age appropriate costume. When a pre-teen girl, shakes her hips and then winks at an 70-80 year old judge, that's wrong.
Annoying things: no floor craft, dance on top of people.
Q: What's your goal of dancing & goal of life?
A: Victor: Right now, for dancing, I'd like to beat that guy (pointing to Arunas) :)
For life, oh, well, a beautiful wife, a big house, ...
Anastasia: keep improving, meet someone, stay happy....
Q: Advice for dancers?
A: Look at right now, improve 1 thing now.
Practice double time (than the competition time). Judges judge from round to round. Need to keep that energy.